Alicia King is an interdisciplinary artist exploring intersections of biology, technology and the sublime. As we are constantly reminded by popular media, developments in biological technologies stand to revolutionise our experience of being human. A bombardment of ideologies of technological supremacy over the natural world place us within a continual mythology of the ‘future’. These ideas preoccupy King's art practice, through exploring the transformative potential of biological matter.
Through an alchemical approach to materiality and process, King's work navigates a landscape of biological metamorphosis. Her practice also examines tools of biological technologies, as a way to explore contemporary perspectives of biological material as conceptually loaded and transformative.
She holds a PhD from the University of Tasmania for Transformations of the Flesh; Rupturing Embodiment through Biotechnology.
The Museum of Modern Art, MoMA, NYC published Alicia's work The Vision Splendid in their recent publication Bio Design: Nature + Science + Creativity, by William Myers. Other publications include The Routledge Companion to Biology in Art and Architecture and New Scientist.
Alicia is recipient of grants, awards and residencies throughout Australia, Europe, Asia, and the USA, including the Australia Council's Tokyo Studio Residency, and Asialink Tokyo Wonder Site Residency; the Cité Internationale des Arts, Paris; Residency in the Galapagos Archipelago, South America; Foundation BAD, Netherlands; and Organ Haus, China and Urban Glass, New York.
King recently curated New Alchemists exhibition, featuring international artists exploring ideas of futuristic biologies and post-human engagements within the broad intersections of art and science. New Alchemists toured to The University of Queensland Art Museum, Flinders University City Gallery, Devonport Regional Art Gallery and the Salamanca Arts Centre, Hobart. The show was reviewed in Artlink magazine, Art AsiaPacific and Art Guide Australia.
She has been involved in a range of collaborative projects internationally, including with OLTA (Tokyo) and locally with The Holy Trinity (w Mish Meijers and Tricky Walsh), and 6A ARI projects.
King's work is held in a number of collections including the MONA Museum, the National Gallery of Australia Collection (artwork collab w Mish Meijers and Tricky Walsh), and the Ken Fehily Collection
Above image: Summation of Forces, 2019, iron, resin, magnetic material, human cells and tissue, neon. 4.7m x 1.9m x 1.3m.
Showing at Linden New Art until Nov 10, 2019.
Photo: Matthew Stanton